Once you start a quilting project you’d be aptly informed to avoid scrimping on materials and use the very best fabric you can afford.
Fading tints can be a problem when you resort to using anything else but good-quality fabric. You really can’t switch to a higher quality of fabric once you begin constructing your quilt, so the initial choices you make really count.
One of the better choices for the backing and top of the quilt is 100 percent cotton because it’s easy to cut, iron and stitch, and you can buy it everywhere. You may try to save some pennies by choosing fabrics not made from natural fibers, but man-made materials and synthetic blends wrinkle and shed their visual appeal.
Your hues will play a strong role in the overall appearance of your quilt, and it’s a good idea to choose tones of quilting fabric that won’t look awkward when they are placed next to each other. Fabric by the yard can be purchased in any number of colors, but limit the range of tones you choose and don’t feel that you necessarily have to choose a little bit of everything. Organizing colors by their basic characteristics is a must for quilters who want their finished product to be soft and gentle (corals, pastels) or bold, brilliant articulations (dark earth tones, hot reds and oranges), or something in between.
Dark colors suddenly look light, and vice-versa, when you place material of one tone next to another with a different shade or tone, and that can upset whatever plans you had formulated for your quilt’s pattern. The solution is merely visiting a stationery store and purchasing a translucent red thesis cover, through which you will view slices of the fabric you plan to use.
With a red filter masking your fabrics, you can visualize how dark or light each color really appears because the plastic screens out tones and hues, which can confuse the eye when comparing different colors. You’ll see immediately if your fabric color choices are going to be pleasant together or whether they will clash and create awkward combinations.
When browsing patterns, decide if the ones you pick will be small, large or something in between, because the ocular rhythms your patterns set up will be quite important. You’ll probably want to use all small patterns or a variety of large, middling and small together, either of which can produce a harmonious design.
Visual harmony can be thrown off if you pick a big pattern to go with much smaller ones, because the divergence of two widely varying patterns will create an awkward, unbalanced sensation to your quilt. If you stitch together one portion of your quilt using smallish amounts of your chosen fabric at first, you can decide whether color and pattern harmonies are creating the impression you want.
Take a good look at the results of your efforts, and if you like what you see, proceed and complete your quilt design.
Article Directory : http://www.articlecube.com
